You’ve found your way to a special place – a community where your story matters, your creativity is valued, and your well-being is at the heart of everything we do. The School of Being is a community built on respect, creativity, and care. Thank you for bringing your unique self.

What can you expect to find here?

Creative Workshops – Paint, craft, explore digital media like Adobe Creative Cloud, or simply enjoy making something with your hands.
Wellness Activities – Gentle movement, mindful breathing, and quiet moments to reconnect with your body and breath.
Caring Presence Companions – Friendly people who’ve been through their own challenges and are here to share their stories, no judging, no pressure, no manipulation, just kindness.
Community Spaces – Busy or quietly focused spaces to contemplate, remember, restore, or just share a cup or meal you’ve prepared yourself, or just to be with others of like mind.

A sample workshop

The Lens of Being:
Creative Photography in a Social Age

Overview

An engaging workshop exploring the creative, personal, and social dimensions of photography — from traditional analogue methods to the ever-evolving digital and smartphone culture. Participants will learn how photography can be both a tool of self-expression and a way to observe, document, and reconnect with the world and people around them.

This workshop is ideal for people with varied experience — from absolute beginners to casual smartphone photographers and analogue enthusiasts — and offers both a hands-on and reflective experience.

Workshop Goals

• To explore photography as a medium of observation, self-awareness, and social presence
• To learn basic principles of image-making (composition, light, framing, story)
• To understand the complexities and comparisons between instant/social media photography, considered/archival photography and optimal processing, categorising and archiving.
• To introduce or revisit analogue processes (film, instant, darkroom-style developing)
• To foster discussion on the ethics, intimacy, and implications of photographing others
• To encourage personal visual storytelling and creative journaling using photography

Format & Key Activities
Duration: 4–6 sessions (modular structure – flexible for 1-week intensive or weekly series)

Session 1: Seeing Through the Lens

• Introduction to visual literacy – What is a photograph?
• Smartphones vs DSLR vs Film – medium, speed, intention
• Quick “look around” assignment – 5 photos on theme: What I notice when I slow down

Session 2: The Language of Light and Composition

• Rule of thirds, perspective, depth, light, contrast
• Portraits vs environments vs object studies
• Practice walk: “Photographing Stillness”

Session 3: Archives & Emotion

• How we collect and store images (albums, social media, memory cards, shoeboxes)
• Archival vs ephemeral photography – what do we keep and why?
• Introduction to journaling with photos (print or digital zine-making)
Creative collage activity: My Photo Story

Session 4: Social Sharing vs Private Seeing

• Discussion: the pressure and performance of social media photography
• Consent and presence in photographing others
• The “quiet photograph” – making images for meaning, not likes
• Project: A series of 3–5 images that reflect a moment of personal truth or connection

Optional Sessions: Analogue Experiments / Portrait & Print Studio

• Introduction to film cameras / pinhole / instant formats
• Developing images or working with physical prints
• Curating a small exhibition or photo-journal (for group sharing or zine)

Who It’s For

• Participants exploring creative identity and expression
• Those seeking non-verbal ways to process experience
• Anyone interested in mindful observation, storytelling, or documenting daily life
• Individuals who want to use smartphone photography in deeper, less performative ways

Outcomes

• A personal photo-journal or image series
• Increased confidence in visual self-expression
• Awareness of photography’s role in social and emotional communication
• Respectful image-making practices (especially in shared spaces)
• Optional small exhibition, print zine, or digital showcase

Value for the School of Being

• Photography as a gentle, accessible art form suitable for trauma recovery and social reconnection
• Encourages personal agency, aesthetic appreciation, and presence
• Blends creative practice with reflection, ethics, and modern tools
• Offers pathways to further learning or mentoring roles within the community


Living & Creating at the School of Being

Slow Living Studio Residences

Spatial Living at the School of Being

We shape our environments, and they shape us.
At the School of Being, architecture is not neutral – it’s part of the pedagogy.

  • Open, adaptive layouts foster fluid relationships between solitude and encounter.
  • Partitioned privacy, not sealed isolation, protects inner space without severing connection.
  • The form invites feeling: soft edges, natural materials, lightplay, warm acoustics.
  • Every resident is both a guest and a co-maker — of their space, rhythm, and presence.
  • Longitudinal orientation allows for zonal progression: rest and making in respectful collaboration
  • Light-filled lofts ideal for north/south daylight flows — balanced and stable throughout the day

Contained Privacy and Modular Sleeping Habitats

To create a nest within the open, where sleep, dreaming, and soft decompression can happen in safety.

  • Semi-enclosed wooden “sleep boxes” or curtained niches, acoustically softened
  • Each includes a bed, personal storage, warm lighting, and a small desk or altar-space
  • Configured in clusters with optional shared en-suite bathrooms per 3–4 boxes
  • Layouts ensure privacy without full isolation – people can hear each other stirring, without intrusion
  • Materials: natural wood, fabric, organic textures; nothing clinical or industrial

Inspirations: Japanese cottage homes, monastic dwellings, Bauhaus student studios

Open living with self contained rest and sleeping habitats

  • Large shared lofts with modular studio-living setups:
    Each person gets ~10–15 m² of flexible floor space
    Work table, shelves, tools, floor cushions or tatami zones
  • Soundscaping tools (curtains, rugs, dividers) let individuals shape their auditory field
  • Morning light or golden hour windows are positioned for quiet activation

Philosophy: You are never only “resting” or “working” — you are always being. Let the space hold both.


Collaborative congregation around the long table

Giving each floor a center of gravity and communion, invitation, nourishment, conversation and gathering.

  • Long communal table for meals, drawing, writing, arguments, laughter
  • Small communal kitchen with open shelves and “donate/share/keep” zones
  • Soft chairs, rugs, mismatched stools, herbs in jars, drying flowers
  • Tea and conversation nooks with low lighting for night rhythm
  • Walls available for rotating displays of residents’ works or provocations

Optional Elements to Deepen the Experience

  • Night and Light Protocols: Encourage soft lighting in living spaces with optional studio lighting in functioning spaces, creating an atmosphere of circadian respect
  • Silence Considerations: Between set hours, the overall corridor space should be repectful but not too rigid.
  • Material Memory as Home: Residents can inscribe or subtly mark their sleep pods or working areas – building layers of human presence over time
  • Shared Spaces for Collaboartive Projects: Residents can leave in storage or leave out works in progress in amicable arrangement with fellow residents

Implementation Tips

  • Use repurposed materials from the factory itself — doors, panels, wood beams — to construct pods and partitions
  • Invite residents and local craftspeople to co-design the layout during the pre-opening period
  • Use color and textile to create nonverbal wayfinding: e.g., blue tones in sleep zones, ochres in hearth areas
  • Design for maintenance and adaptability — rooms can grow, shrink, migrate as seasons and needs evolve

Summary Phrase

“Each floor is a rhythm: breathing in to rest, breathing out to create. You sleep beside your paintbrush. You wake near the hearth. You belong to your space — and it belongs to you.”